The last
few decades and especially in recent years, there is often something to do
about copyright. It is according to some outdated and unnecessary to others.
The old institutions jaunty try to treat the digital world as if nothing has changed
and therefore repeatedly unleash storms of criticism. Recently, Dutch
collecting society Buma/Stemra was in the news again when this organization - for
the second time - announced to treat the
embedding of videos as a new publication. History repeats itself. In the 80's
it became clear that the transmission by cable of television programs that were
originally transmitted over the air had to be considered as a new publication.
Since then every technique, every innovation, every change turned out to be a
new publication. At the same time the full rate was charged for this
publications corresponding to the rate for the original publication. This was
based on the impure reasoning that any publication would create a new market of
users. In short, if a market consists of a certain number of buyers, then the
same market later turns out to be 5
times the number of buyers. Meanwhile the situation is beginning to change, not
everything is considered as a new publication, because according to recent case
law of the European Court of Justice, the notion 'public' was neglected a bit too much. That is one side
of the story.
Like the
reality the law is constantly moving and rules are changing under the influence
of altered ethical or political ideas. Therefore, the law and regulations have
to be interpreted. Also this interpretation is an ongoing process. Who relies
on "rules are rules" has not understood much. Equal cases should be
treated equally, the so-called principle of equality, does not mean that
unequal cases should be treated equally, especially when this leads to unequal
or unreasonable consequences. Very important too is the interest to be
protected. We return to copyright. What was that again?
That is the
right of the creator of music, a book or a movie to determine what happens to
the product he has made. He might say: I keep it all for myself. He might also
say: I think it's good this product is made public via radio, television, the
Internet or in a theatre and I think it is good that it is reproduced on a CD,
DVD or in a book. In short: the right of the maker to be rewarded for his
creative achievements. Leaving aside the question whether it is smart to
transfer the management of your rights to an organization like Buma/Stemra,
such an organization has to take into account the interests of the maker. One
of those interests is that the right of the maker is not put under pressure by
social resistance. This resistance is caused by a lack of understanding reality
and the functioning of law, and that is harmful to the respect for copyright.
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